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From a Bench in Our Square by Samuel Hopkins Adams
page 91 of 259 (35%)

The painter flourished the implement of his trade to the peril of the
immaculate garments below. "Toora-loo!" he warbled.

"I beg your pardon," said the new arrival.

"I said 'Toora-loo.' It's a Patagonian expression signifying
satisfaction and relief; sort of I-thought-so-all-the-time effect."

"You seem a rather unusual and learned sort of house painter," reflected
the stalwart Adonis. "Is that Patagonian art?"

"Symbolism. It represents hope struggling upward from the oppression of
doubt and despair. That," he added, splashing in a prodigal streak of
whooping scarlet, "is resurgent joy surmounting the misty
mountain-tops of--"

The opening door below him cut short the disquisition.

"Reg!" cried the tenant breathlessly. Straight into the big young man's
ready arms she dived, and the petrified and stricken occupant of the
dizzy plank heard her muffled voice quaver: "Wh--wh--wh--why didn't you
come before?"

To which the young giant responded in gallingly protective tones: "You
little idiot!"

The door closed after them. Martin Dyke, amateur house painter,
continued blindly to bedeck the face of a ruinous world with radiant
hues. After interminable hours (as he reckoned the fifteen elapsed
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