reason did not return. From that moment he became sad, dreamy, absorbed
in melancholy. 'He is no longer,' said Regina, 'what he was before, gay
and content; but is become sombre, and speaks always of death.'"

While Lassus was in this sad condition he grew petulant over his
imagined ill-treatment at the hands of the new duke, and wrote a letter
bitterly complaining that he had not carried out his father's promises.
In fact, Orland in his condition of semi-insanity threatened to resign,
and when the insulted Duke Maximilian showed signs of accepting the
resignation, it was the wife that saved the family from disgrace and
poverty. Regina made a fervent appeal (quoted in Mathieu's poem on
Lassus) that "his _Altesse Sérénissime_ be pleased not to heap on the
poor family of Orland the wrongs that the unhappy father may have
deserved through his _fantaisies bizarres_, the result of too much
thought for his art and too incessant zeal; but that the duke deign to
continue his former treatment; for to put him out of the service of the
court chapel would be to kill him."

He was left undisturbed in his post, but, before long, death forced the
acceptance of his resignation. Over his grave was placed a tomb on which
besides the effigy of himself, are shown also his devoted wife and some
of their children.

Regina two years later founded a perpetual annual funeral service for
him. By a later intercession, she secured for her son, Ferdinand, the
succession to his father's dignities at the court of Bavaria. She died
June 5, 1600, and on her tomb she is named, "la noble et vertueuse dame
Regina de Lassin, veuve de feu Orland de Lassus." She had been a good
wife to a good husband. The sadness of her latter years with her beloved
and demented husband reminds one of the pathetic fate of Robert Schumann