The Love Affairs of Great Musicians, Volume 1 by Rupert Hughes
page 25 of 214 (11%)
page 25 of 214 (11%)
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CHAPTER VI. THE STRANGE ADVENTURES OF STRADELLA There are historians, sour and cynical, who have tried to contradict the truth of the life story of Stradella as Bourdelot tells it in his "Histoire de la Musique et de ses Effets," but they cannot offer us any satisfactory substitute in its place, and without troubling to give their merely destructive complaints, and without attempting to improve upon the pompously fascinating English of old Sir John Hawkins, I will quote the story for your delectation. Certain it is that there was a composer named Stradella, and that he was an opera composer to the Venetian Republic, as well as a frequent singer upon the stage to his own harp accompaniments. He occupies a position in musical history of some importance. The following story of his adventures is no more improbable than many a story we read in the daily newspapers--and surely no one could question the credibility of the daily newspapers. But here is the story as Hawkins tells it. As the cook-books say, salt it to your taste. "His character as a musician was so high at Venice, that all who were desirous of excelling in the science were solicitous to become his pupils. Among the many whom he had the instruction of, was one, a young lady of a noble family of Rome, named Hortensia, who, notwithstanding her illustrious descent, submitted to live in a criminal intimacy with a Venetian nobleman. The frequent access of Stradella to this lady, and |
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