The Love Affairs of Great Musicians, Volume 1 by Rupert Hughes
page 28 of 214 (13%)
page 28 of 214 (13%)
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Stradella and the old man's daughter wherever they found them. The
Venetian also furnished them with letters from Mons. l'Abbé d'Estrades, then embassador of France at Venice, addressed to the Marquis of Villars, the French embassador at Turin. The purport of these letters was a recommendation of the bearers of them, who were therein represented to be merchants, to the protection of the embassador, if at any time they should stand in need of it. "The Duchess of Savoy was at that time regent; and she having been informed of the arrival of Stradella and Hortensia, and the occasion of their precipitate flight from Rome; and knowing the vindictive temper of the Venetians, placed the lady in a convent, and retained Stradella in her palace as her principal musician. In a situation of such security as this seemed to be, Stradella's fears for the safety of himself and his mistress began to abate, till one evening, walking for the air upon the ramparts of the city, he was set upon by the three assassins above mentioned, that is to say, the father of Hortensia, and the two ruffians, who each gave him a stab with a dagger in the breast, and immediately betook themselves to the house of the French embassador as to a sanctuary. "The attack on Stradella having been made in the sight of numbers of people, who were walking in the same place, occasioned an uproar in the city, which soon reached the ears of the duchess: she ordered the gates to be shut, and diligent search to be made for the three assassins; and being informed that they had taken refuge in the house of the French embassador, she went to demand them. The embassador insisting on the privileges which those of his function claimed from the law of nations, refused to deliver them up. In the interim Stradella was cured of his wounds, and the Marquis de Villars, to make short of the question about |
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