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Punch, or the London Charivari, Volume 156, Jan. 1, 1919 by Various
page 10 of 47 (21%)
of power, distinction, a man apart. I have seen many backs, but none
more notable than this. Turning he revealed to the full the wonder and
mystery of his famous frown--the frown of Jupiter Tonans. Much has been
said of this frown, but since no analysis has yet appeared in print I
must be permitted to offer one. To begin with, the frown is not only on
his face, but (one instinctively knows) all over him. It suffuses him.
Could one see, for instance, his knee, one is sure that it would be
frowning too.

The effect was terrifying, but I stood my ground. As for the face,
where the frown concentrates, it is most curiously divided. Below the
masterful nose the frown may be said to be merely threatening; above the
firm upper lip it assumes a quality of such dourness as to resemble a
scowl. The forehead is corrugated. The ears twitch, especially the left.
The eyes emit sparks.

Hitherto he had not spoken; but now he began to unburden himself of
those opinions, hopes, fancies and idealistic meditations for which I
had come so far to see him. In order that there shall be no ambiguity I
have arranged for them to be set up in larger type than the rest of the
article. After all, any type will suit my own poor setting, but the
jewels, the jewels must be seen.

"Be seated, pray," he said. "The world," he added after a long silence,
"is in an unusual state. The Versailles Conferences may effect great
changes."

"Everyone hopes," he remarked after another pause, "that the weather
will improve; recently it has been far from invigorating."

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