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Antwerp to Gallipoli - A Year of the War on Many Fronts—and Behind Them by Arthur Ruhl
page 96 of 258 (37%)
every morning and the seal in the Tiergarten has the bottom of his tank
covered with fresh fish he is too indolent to eat.

"Society," in its more visible, decorative sense, is as forgotten as it
is in France, as it must be in such a time. There are no dances or
formal parties; every one who is not going about his civil business has
in one way or another "gone to the war." The gay young men are at the
front, the idle young women knitting or nursing or helping the poor, and
it is an adventure uncommon enough to be remembered to meet on the
street a pretty young lady merely out to take the air, with hands in her
muff and trotting in front of her the timorous dachshund, muzzled like a
ravening tiger and looking at the world askance with his rueful eyes.

The apparent quietness and gravity is partially due to the lack of a
"yellow" or, in the British or American sense of the word, popular
press. There is none of that noisy hate continually dinned into one's
ears in London by papers which, to be sure, represent neither the
better-class English civilians nor the light-hearted fighting man at the
front, yet which are entertainingly written, do contain the news, and
get themselves read.

The German papers print comparatively little of what we call "news."
They hide unpleasant truths and accent pleasant ones, and are working
all the time to create a definite public opinion; but their partisanship
is that of official proclamation rather than that of overworked and
underpaid reporters striving to please their employers with all the
desperation of servants working for a tip. The yelping after spies, the
heaping of adjectives on every trifling achievement of British arms, the
ill-timed talk of snatching the enemy's trade in a war theoretically
fought for a high principle, all that journalistic vulgarity--which
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