into the courtyard, whither Johnson and Boswell descended, and the
lexicographer bending himself down administered some good advice to the
awestruck lad with "slow and sonorous solemnity," ending by the
presentation of the guinea.

In the evening the pair formed part of a corps of party "wits," led by
Sir Joshua Reynolds, to the benefit of Mrs. Abingdon, who had been a
frequent model of the painter. Johnson praised Garrick's prologues, and
Boswell kindly reported the eulogy to Garrick, with whom he supped at
Beauclerk's. Garrick treated him to a mimicry of Johnson, repeating,
"with pauses and half-whistling," the lines,--

Os homini sublime dedit--coelumque tueri
Jussit--et erectos ad sidera tollere vultus:

looking downwards, and at the end touching the ground with a contorted
gesticulation. Garrick was generally jealous of Johnson's light opinion
of him, and used to take off his old master, saying, "Davy has some
convivial pleasantry about him, but 'tis a futile fellow."

Next day, at Thrales', Johnson fell foul of Gray, one of his pet
aversions. Boswell denied that Gray was dull in poetry. "Sir," replied
Johnson, "he was dull in company, dull in his closet, dull everywhere.
He was dull in a new way, and that made people think him great. He was a
mechanical poet." He proceeded to say that there were only two good
stanzas in the _Elegy_. Johnson's criticism was perverse; but if we were
to collect a few of the judgments passed by contemporaries upon each
other, it would be scarcely exceptional in its want of appreciation. It
is rather odd to remark that Gray was generally condemned for
obscurity--a charge which seems strangely out of place when he is