and Unities, sounds which having been once uttered by those that
understood them, have been since re-echoed without meaning, and kept up
to the disturbance of the world by constant repercussion from one
coxcomb to another. He considers himself as obliged to show by some
proof of his abilities, that he is not consulted to no purpose, and
therefore watches every opening for objection, and looks round for every
opportunity to propose some specious alteration. Such opportunities a
very small degree of sagacity will enable him to find, for in every work
of imagination, the disposition of parts, the insertion of incidents,
and use of decorations may be varied in a thousand ways with equal
propriety; and, as in things nearly equal that will always seem best to
every man which he himself produces, the critic, whose business is only
to propose without the care of execution, can never want the
satisfaction of believing that he has suggested very important
improvements, nor the power of enforcing his advice by arguments, which,
as they appear convincing to himself, either his kindness or his vanity
will press obstinately and importunately, without suspicion that he may
possibly judge too hastily in favour of his own advice or inquiry
whether the advantage of the new scheme be proportionate to the labour."
We may still notice a "repercussion" of words from one coxcomb to
another; though somehow the words have been changed or translated.

Johnson's style is characteristic of the individual and of the epoch.
The preceding generation had exhibited the final triumph of common sense
over the pedantry of a decaying scholasticism. The movements represented
by Locke's philosophy, by the rationalizing school in theology, and by
the so-called classicism of Pope and his followers, are different phases
of the same impulse. The quality valued above all others in philosophy,
literature, and art was clear, bright, common sense. To expel the
mystery which had served as a cloak for charlatans was the great aim of