to Miss Seward, he had been in love before he married her mother. He was
at least tenderly attached to her through life. And, for the most part,
the good people of Lichfield seem to have been proud of their
fellow-townsman, and gave him a substantial proof of their sympathy by
continuing to him, on favourable terms, the lease of a house originally
granted to his father. There was, indeed, one remarkable exception in
Miss Seward, who belonged to a genus specially contemptible to the old
doctor. She was one of the fine ladies who dabbled in poetry, and aimed
at being the centre of a small literary circle at Lichfield. Her letters
are amongst the most amusing illustrations of the petty affectations and
squabbles characteristic of such a provincial clique. She evidently
hated Johnson at the bottom of her small soul; and, indeed, though
Johnson once paid her a preposterous compliment--a weakness of which
this stern moralist was apt to be guilty in the company of ladies--he no
doubt trod pretty roughly upon some of her pet vanities.

By far the most celebrated of Johnson's Lichfield friends was David
Garrick, in regard to whom his relations were somewhat peculiar.
Reynolds said that Johnson considered Garrick to be his own property,
and would never allow him to be praised or blamed by any one else
without contradiction. Reynolds composed a pair of imaginary dialogues
to illustrate the proposition, in one of which Johnson attacks Garrick
in answer to Reynolds, and in the other defends him in answer to Gibbon.
The dialogues seem to be very good reproductions of the Johnsonian
manner, though perhaps the courteous Reynolds was a little too much
impressed by its roughness; and they probably include many genuine
remarks of Johnson's. It is remarkable that the praise is far more
pointed and elaborate than the blame, which turns chiefly upon the
general inferiority of an actor's position. And, in fact, this seems to
have corresponded to Johnson's opinion about Garrick as gathered from