it, and returned to Goldsmith, who paid his rent and administered a
sound rating to his landlady.

The relation thus indicated is characteristic; Johnson was as a rough
but helpful elder brother to poor Goldsmith, gave him advice, sympathy,
and applause, and at times criticised him pretty sharply, or brought
down his conversational bludgeon upon his sensitive friend. "He has
nothing of the bear but his skin," was Goldsmith's comment upon his
clumsy friend, and the two men appreciated each other at bottom. Some of
their readers may be inclined to resent Johnson's attitude of
superiority. The admirably pure and tender heart, and the exquisite
intellectual refinement implied in the _Vicar_ and the _Traveller_,
force us to love Goldsmith in spite of superficial foibles, and when
Johnson prunes or interpolates lines in the _Traveller_, we feel as
though a woodman's axe was hacking at a most delicate piece of carving.
The evidence of contemporary observers, however, must force impartial
readers to admit that poor Goldsmith's foibles were real, however amply
compensated by rare and admirable qualities. Garrick's assertion, that
he "wrote like an angel but talked like poor Poll," expresses the
unanimous opinion of all who had actually seen him. Undoubtedly some of
the stories of his childlike vanity, his frankly expressed envy, and his
general capacity for blundering, owe something to Boswell's feeling that
he was a rival near the throne, and sometimes poor Goldsmith's humorous
self-assertion may have been taken too seriously by blunt English wits.
One may doubt, for example, whether he was really jealous of a puppet
tossing a pike, and unconscious of his absurdity in saying "Pshaw! I
could do it better myself!" Boswell, however, was too good an observer
to misrepresent at random, and he has, in fact, explained very well the
true meaning of his remarks. Goldsmith was an excitable Irishman of
genius, who tumbled out whatever came uppermost, and revealed the