complimentary passage which shows Johnson's possession of that courtesy
which rests upon sense and self-respect. The King asked whether he was
writing anything, and Johnson excused himself by saying that he had told
the world what he knew for the present, and had "done his part as a
writer." "I should have thought so too," said the King, "if you had not
written so well." "No man," said Johnson, "could have paid a higher
compliment; and it was fit for a King to pay--it was decisive." When
asked if he had replied, he said, "No, sir. When the King had said it,
it was to be. It was not for me to bandy civilities with my sovereign."
Johnson was not the less delighted. "Sir," he said to the librarian,
"they may talk of the King as they will, but he is the finest gentleman
I have ever seen." And he afterwards compared his manners to those of
Louis XIV., and his favourite, Charles II. Goldsmith, says Boswell, was
silent during the narrative, because (so his kind friend supposed) he
was jealous of the honour paid to the dictator. But his natural
simplicity prevailed. He ran to Johnson, and exclaimed in 'a kind of
flutter,' "Well, you acquitted yourself in this conversation better than
I should have done, for I should have bowed and stammered through the
whole of it."

The years 1768 and 1769 were a period of great excitement for Boswell.
He was carrying on various love affairs, which ended with his marriage
in the end of 1769. He was publishing his book upon Corsica and paying
homage to Paoli, who arrived in England in the autumn of the same year.
The book appeared in the beginning of 1768, and he begs his friend
Temple to report all that is said about it, but with the restriction
that he is to conceal _all censure_. He particularly wanted Gray's
opinion, as Gray was a friend of Temple's. Gray's opinion, not conveyed
to Boswell, was expressed by his calling it "a dialogue between a green
goose and a hero." Boswell, who was cultivating the society of various