and, without accepting its form, was her defender. Bossuet attacked
her views. Fenelon published "Maxims of the Saints on the Interior
Life." Bossuet wrote on "The States of Prayer." These were the
rival books in a controversy about what was called "Quietism."
Bossuet afterwards wrote a "Relation sur le Quietisme," of which
Fenelon's copy, charged with his own marginal comments, is in the
British Museum. In March, 1699, the Pope finally decided against
Fenelon, and condemned his "Maxims of the Saints." Fenelon read
from his pulpit the brief of condemnation, accepted the decision of
the Pope, and presented to his church a piece of gold plate, on
which the Angel of Truth was represented trampling many errors under
foot, and among them his own "Maxims of the Saints." At Court,
Fenelon was out of favour. "Telemaque," written for the young Duke
of Burgundy, had not been published; but a copy having been obtained
through a servant, it was printed, and its ideal of a true king and
a true Court was so unlike his Majesty Louis XIV. and the Court of
France, and the image of what ought not to be was so like what was,
that it was resented as a libel. "Telemaque" was publicly
condemned; Fenelon was banished from Court, and restrained within
the limits of his diocese. Though separated from his pupil, the
young Duke of Burgundy (who died in 1712), Fenelon retained his
pupil's warm affection. The last years of his own life Fenelon gave
to his work in Cambray, until his death on the 7th of January, 1715.
He wrote many works, of which this is one, and they have been
collected into twenty volumes. The translation here given was
anonymous, and was first published in the year 1713.

H. M.