reach the countess, he had an uncertain movement of head and hand, as
though he were inclined to speak to him first. Matilde had risen,
however, and had moved a step forward to meet the visitor, speaking at
the same time, as though to direct him to herself, with the somewhat
maternal air which even young women sometimes assume in greeting old
men.

The Duca della Spina smiled rather feebly as he took the outstretched
hand, and slowly sat down upon the sofa beside Matilde.

"I feared it might be too late," he began, and his watery blue eyes
sought her face anxiously. "But my son insisted that I should come this
evening, when he found that I had not been able to see you this
afternoon."

"How is he?" asked the countess, suddenly assuming an expression of
great concern.

"Eh! How he is! He is--so," answered the Duca, with a gesture which
meant uncertainty. "Signora Contessa," he added, "he is not well at all.
It is natural with the young. It is passion. What else can I tell you?
He is impatient. His nerves shake him, and he does not eat. Morning and
evening he asks, 'Father, what will it be?' So, to content him, I have
come to disturb you."

"Not in the least, dear Duca!"

The door opened again, and Gregorio Macomer entered the room, having
been informed of the presence of a visitor. The Duca looked up, and his
head shook involuntarily, as he at once began the slow process of