the rest was the usual rambling information and description Frances
loved, generously italicized.

" ...and we are quite alone," she went on in her enormous handwriting
that seemed such a waste of space and labor, "though some others are
coming presently, I believe. You could work here to your heart's
content. Mabel quite understands, and says she would love to have you
when you feel free to come. She has changed a bit--back to her old
natural self: she never mentions him. The place has changed too in
certain ways: it has more cheerfulness, I think. She has put it in, this
cheerfulness, spaded it in, if you know what I mean; but it lies about
uneasily and is not natural--quite. The organ is a beauty. She must be
very rich now, but she's as gentle and sweet as ever. Do you know, Bill,
I think he must have frightened her into marrying him. I get the
impression she was afraid of him." This last sentence was inked out, I
but I read it through the scratching; the letters being too big to hide.
"He had an inflexible will beneath all that oily kindness which passed
for spiritual. He was a real personality, I mean. I'm sure he'd have
sent you and me cheerfully to the stake in another century--for our own
good. Isn't it odd she never speaks of him, even to me?" This, again,
was stroked through, though without the intention to obliterate--merely
because it was repetition, probably. "The only reminder of him in the
house now is a big copy of the presentation portrait that stands on the
stairs of the Multitechnic Institute at Peckham--you know--that
life-size one with his fat hand sprinkled with rings resting on a thick
Bible and the other slipped between the buttons of a tight frock-coat.
It hangs in the dining room and rather dominates our meals. I wish Mabel
would take it down. I think she'd like to, if she dared. There's not a
single photograph of him anywhere, even in her own room. Mrs. Marsh is
here--you remember her, his housekeeper, the wife of the man who got