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What Dress Makes of Us by Dorothy Quigley
page 23 of 56 (41%)

The woman with angular features, as may be seen by No. 33, can wear with
impunity, and always should wear, a hat the brim of which is waved,
turned, twisted, or curved in graceful lines. The uneven brim of her hat
makes an effective complement to the angularity of her chin, which is
further softened by the feathery ruff that encircles her throat. The
curves of the ostrich plumes, and the studied carelessness of the
arrangement of her coiffure, subdue the angles of her face which are
brought out in unbecoming prominence by the sailor-hat.


Women Who should Not Wear Horns.

The velvet horns on either side of a hat, the steeple-like central
adornments that were once much in favor, and the Mercury wings that
ornament the coiffure for evening dress, produce some startling,
disagreeable, and amusing effects not altogether uninteresting to
consider.

Faces in which the eyes are set too near the forehead acquire a scared
look by being surmounted by a bonnet upon which the trimming gravitates
to a point in an arrangement not unsuggestive of a reversed fan, horns,
or a steeple.

The most unpleasing developments result from the wearing of the
horn-like trimmings either in velvet or jet. If the face above which
they flare has less of the spiritual than the coarse propensities in it,
the grotesque turns and twists in the head-gear emphasize the animality
in the lines characteristic of low-bred tendencies, and the whole
countenance is vulgarized. One face acquires the look of a fox, another
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