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What Dress Makes of Us by Dorothy Quigley
page 34 of 56 (60%)
band, or fold, or ruffle across the shoulders is to be commended.

[Illustration: NO. 48]

No. 48 reveals a glaring error frequently made by the thin sisterhood. A
tall, slender woman with a long waist, should not emphasize her length
of lines by wearing pointed or V-shaped effects. The V-shaped
arrangement, either in cut or trimmings, apparently increases her
"longness and leanness." She should aim to shorten her waist instead of
lengthening it as the basque finished with a point obviously does. The
drooping sleeves elongate her shoulder-lines, and bring into clearer
relief her meagre proportions. She can easily improve her appearance by
adopting either style of gown portrayed by Nos. 49, or 50. The broad
belt at the waist-line in No. 49, and the flamboyant lace or braided
piece that adorns the shoulders, perceptibly adds to her breadth and
decreases her length.

[Illustration: NO. 49]

[Illustration: NO. 50]

No. 50 is a felicitous cut for a street dress for a slim sister. The
jaunty bloused waist smartly conceals deficiencies in fine points.

The tall, thin sisterhood should eschew pointed effects and study to
attain apparent breadth by using trimmings arranged horizontally. Bands
of velvet, braid in waved lines, ruffles, and not too deeply cut
scallops, may be used effectively by the very slender, who sometimes
appear as if they are "without form and void," as the earth was "in the
beginning."
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