What Dress Makes of Us by Dorothy Quigley
page 34 of 56 (60%)
page 34 of 56 (60%)
|
band, or fold, or ruffle across the shoulders is to be commended.
[Illustration: NO. 48] No. 48 reveals a glaring error frequently made by the thin sisterhood. A tall, slender woman with a long waist, should not emphasize her length of lines by wearing pointed or V-shaped effects. The V-shaped arrangement, either in cut or trimmings, apparently increases her "longness and leanness." She should aim to shorten her waist instead of lengthening it as the basque finished with a point obviously does. The drooping sleeves elongate her shoulder-lines, and bring into clearer relief her meagre proportions. She can easily improve her appearance by adopting either style of gown portrayed by Nos. 49, or 50. The broad belt at the waist-line in No. 49, and the flamboyant lace or braided piece that adorns the shoulders, perceptibly adds to her breadth and decreases her length. [Illustration: NO. 49] [Illustration: NO. 50] No. 50 is a felicitous cut for a street dress for a slim sister. The jaunty bloused waist smartly conceals deficiencies in fine points. The tall, thin sisterhood should eschew pointed effects and study to attain apparent breadth by using trimmings arranged horizontally. Bands of velvet, braid in waved lines, ruffles, and not too deeply cut scallops, may be used effectively by the very slender, who sometimes appear as if they are "without form and void," as the earth was "in the beginning." |
|