clothes. The garments, after we have noticed them in a superficial way,
are chiefly interesting to us, because they are arch-betrayers of the
physical and mental poise of the man. No matter what the cut of the
cloth, no matter what _cachet_ of a fashionable tailor a suit may have,
or what its richness of material, the attitude "à la decadence" of No.
93 would make the best clothes in Christendom look shabby and
unattractive.

[Illustration: NO. 93]

This too familiar carriage of the American man makes one wish to have
the power to reverse the faces--as Dante did those of the false
prophets, so those who stand "à la decadence" might see what ridiculous
figures they cut in drawing-room and street. The curved backs and
rounded-out shoulders would make fair-looking chests, and the flat
chests would represent respectable-looking backs.

A man owes it to the spirit within him not to stand or walk in such an
attitude. He should brace up and keep bracing up persistently,
unremittently, until he attains a more manly bearing.

[Illustration: NO. 94]

The wholly alive fellow pictured in sketch No. 94 would make homespun
look elegant. His chest is forward. He does not sag in front at the
waist, protruding his abdomen in not only an inartistic, but an
unhealthy manner; but he strides masterfully forward with an air of
inspiriting "aliveness." The perfect poise of his attitude is not
unsuggestive of the Apollo Belvedere--the model for all men--a picture
of which every college boy should have to place beside the prettiest