music-halls than from the soldier, and many a high-souled patriot at
home would think himself wronged if perpetual peace deprived him of his
one opportunity of displaying valour to his friends, his readers, or his
family. All these imaginative people, whose bravery may be none the less
genuine for being vicarious, must be reckoned as the natural supporters
of war, and, indeed, one can hardly conceive any form of distant
conflict for which they would not stand prepared.

But still, the widespread dislike of peace is not entirely derived from
their prowess; nor does it spring entirely from the nursemaid's love of
the red coat and martial gait, though this is on a far nobler plane, and
comes much nearer to the heart of things. The gleam of uniforms in a
drab world, the upright bearing, the rattle of a kettledrum, the boom of
a salute, the murmur of the "Dead March," the goodnight of the "Last
Post" sounding over the home-faring traffic and the quiet cradles--one
does not know by what substitutes eternal peace could exactly replace
them. For they are symbols of a spiritual protest against the
degradation of security. They perpetually re-assert the claim of a
beauty and a passion that have no concern with material advantages. They
sound defiance in the dull ears of comfort, and proclaim woe unto them
that are at ease in the city of life. Dimly the nursemaid is aware of
the protest; most people are dimly aware of it; and the few who
seriously labour for an unending reign of peace must take it into
account.

It is useless to allure mankind by promises of a pig's paradise. Much
has been rightly written about the horrors of war. Everyone knows them
to be sudden, hideous, and overwhelming; those who have seen them can
speak also of the squalor, the filthiness, the murderous swindling, and
the inconceivable absurdity of the whole monstrous performance. But the