Who with wild notes my fancied power defied,
And mock'd the dreams of solitary pride."

And as Crabbe evidently resorts gladly to personal experiences to make
out the material for his work, the same also holds with regard to the
incidental Tales. Crabbe refers in his Preface to two of these as not of
his own invention, and his son, in the Notes, admits the same of others.
One, as we have seen, happened in the Elmy family; another was sent him
by a friend in Wiltshire, to which county the story belonged; while the
last in the series, and perhaps the most painful of all, _Smugglers, and
Poachers_ was told to Crabbe by Sir Samuel Romilly, whom he had met at
Hampstead, only a few weeks before Romilly's own tragic death. Probably
other tales, not referred to by Crabbe or his son, were also encountered
by the poet in his intercourse with his parishioners, or submitted to
him by his friends. We might infer this from the singular inequality, in
interest and poetical opportunity, of the various plots of these
stories. Some of them are assuredly not such as any poet would have sat
down and elaborated for himself, and it is strange how little sense
Crabbe seems to have possessed as to which were worth treating, or could
even admit of artistic treatment at all. A striking instance is afforded
by the strange and most unpleasing history, entitled _Lady Barbara: or,
The Ghost_.

The story is as follows: A young and beautiful lady marries early a
gentleman of good family who dies within a year of their marriage. In
spite of many proposals she resolves to remain a widow; and for the sake
of congenial society and occupation, she finds a home in the family of a
pious clergyman, where she devotes herself to his young children, and
makes herself useful in the parish. Her favourite among the children is
a boy, George, still in the schoolroom. The boy grows apace; goes to