Rogers, though he saw and felt that elegant poet's deficiencies as a
painter of human life, had encouraged him to try an experiment in his
friend's special vein. One of the most depressing stories in the series
is that of the elder brother's ill-fated passion for a beautiful girl,
to whom he had been the accidental means of rendering a vital service in
rescuing her and a companion from the "rude uncivil kine" in a meadow.
To the image of this girl, though he never set eyes on her again for
many years, he had remained faithful. The next meeting, when at last it
came, brought the most terrible of disillusions. Sent by his chief to
transact certain business with a wealthy banker ("Clutterbuck & Co."),
the young merchant calls at a villa where the banker at times resided,
and finds that the object of his old love and his fondest dreams is
there installed as the banker's mistress. She is greatly moved at the
sight of the youthful lover of old days, who, with more chivalry than
prudence, offers forgiveness if she will break off this degrading
alliance. She cannot resolve to take the step. She has become used to
luxury and continuous amusement, and she cannot face the return to a
duller domesticity. Finally, however, she dies penitent, and it is the
contemplation of her life and death that works a life-long change in the
ambitions and aims of the old lover. He wearies of money-making, and
retires to lead a country life, where he may be of some good to his
neighbours, and turn to some worthy use the time that may be still
allowed him. The story is told with real pathos and impressive force.
But the picture is spoiled by the tasteless interpolation of a song
which the unhappy girl sings to her lover, at the very moment apparently
when she has resolved that she can never be his:

"My Damon was the first to wake
The gentle flame that cannot die;
My Damon is the last to take