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English Men of Letters: Crabbe by Alfred Ainger
page 174 of 214 (81%)
of human life. But there were other coincidences to create a strong tie
between FitzGerald and the poet's family. When FitzGerald's father went
to live at Boulge Hall, near Woodbridge, in 1835, Crabbe's son George
had recently been presented to the vicarage of the adjoining parish of
Bredfield (FitzGerald's native village), which he continued to hold
until his death in 1857. During these two and twenty years, FitzGerald
and George Crabbe remained on the closest terms of friendship, which was
continued with George Crabbe's son (a third George), who became
ultimately rector of Merton in Norfolk. It was at his house, it will be
remembered, that FitzGerald died suddenly in the summer of 1883. Through
this long association with the family FitzGerald was gradually acquiring
information concerning the poet, which even the son's _Biography_ had
not supplied. Readers of FitzGerald's delightful _Letters_ will remember
that there is no name more constantly referred to than that of Crabbe.
Whether writing to Fanny Kemble, or Frederick Tennyson, or Lowell, he is
constantly quoting him, and recommending him. During the thirty years
that followed Crabbe's death his fame had been on the decline, and poets
of different and greater gifts had taken his place. FitzGerald had
noted this fact with ever-increasing regret, and longed to revive the
taste for a poet of whose merits he had himself no doubt. He discerned
moreover that even those who had read in their youth _The Village_ and
_The Borough_ had been repelled by the length, and perhaps by the
monotonous sadness, of the _Tales of the Hall_. It was for this reason
apparently (and not because he assigned a higher place to the later
poetry than to the earlier) that he was led, after some years of
misgiving, to prepare a volume of selections from this latest work of
Crabbe's which might have the effect of tempting the reader to master it
as a whole. Owing to the length and uniformity of Crabbe's verse, what
was ordinarily called an "anthology" was out of the question. FitzGerald
was restricted to a single method. He found that readers were impatient
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