There is pathos in the recollection that just ten years later when Scott
lay in his study at Abbotsford--the strength of that noble mind slowly
ebbing away--the very passage in _The Borough_ just quoted was one of
those he asked to have read to him. It is the graphic and touching
account in Letter XII. of the "Strolling Players," and as the
description of their struggles and their squalor fell afresh upon his
ear, his own excursions into matters theatrical recurred to him, and he
murmured smiling, "Ah! Terry won't like that! Terry won't like that!!"

The same year Crabbe was invited to spend Christmas at his old home,
Belvoir Castle, but felt unable to face the fatigue in wintry weather.
Meantime, among other occupations at home, he was finding time to write
verse copiously. Twenty-one manuscript volumes were left behind him at
his death. He seems to have said little about it at home, for his son
tells us that in the last year of his father's life he learned for the
first time that another volume of Tales was all but ready for the press.
"There are in my recess at home," he writes to George, "where they have
been long undisturbed, another series of such stories, in number and
quantity sufficient for another octavo volume; and as I suppose they are
much like the former in execution, and sufficiently different in events
and characters, they may hereafter, in peaceable times, be worth
something to you." A selection from those formed the _Posthumous Poems_,
first given to the world in the edition of 1834. The _Tales of the
Hall_, it may be supposed, had not quite justified the publisher's
expectations. John Murray had sought to revive interest in the whole
bulk of Crabbe's poetry, of which he now possessed the copyright, by
commissioning Richard Westall, R.A., to produce a series of
illustrations of the poems, thirty-one in number, engravings of which
were sold in sets at two guineas. The original drawings, in delicate