Rime of the ancient mariner;Coleridge's Ancient Mariner and Select Poems by Samuel Taylor Coleridge
page 23 of 152 (15%)
page 23 of 152 (15%)
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approved a sentiment expressed by the latter: "He who thinks and _feels_
will be virtuous; and he who is absorbed in self will be vicious, whatever may be his speculative opinions." Godwin's system of "Justice," with its soulless logic, he abhorred. He preached often in Unitarian churches. To young Hazlitt, who heard him preach in January, 1798, from the text "And He went up into the mountain to pray, _Himself, alone_," it seemed "as if the sounds had echoed from the bottom of the human heart, and as if that prayer might have floated in solemn silence through the universe." In politics he was, when he went to Stowey, "almost equidistant from all the three prominent parties, the Pittites, the Foxites, and the Democrats"; he was "a vehement anti-ministerialist, but after the invasion of Switzerland, a more vehement anti-Gallican [see the last two stanzas of "France"], and still more intensely an anti-Jacobin." Under Wordsworth's influence his thoughts turned in great measure from contemporary politics to more fundamental matters. Always his poetry had been the utterance of his essential being. "I feel strongly and I think strongly," he wrote to Thelwall in 1796, "but I seldom feel without thinking or think without feeling. Hence, though my poetry has in general a hue of tenderness or passion over it, yet it seldom exhibits unmixed and simple tenderness and passion. My philosophical opinions are blended with or deduced from my feelings." Wordsworth gave his feelings a new object and his philosophy a higher aim. In April of the second year at Stowey, in the letter to his brother already quoted, Coleridge wrote: "I have for some time past withdrawn myself totally from the consideration of _immediate causes_, which are infinitely complex and uncertain, to muse on fundamental and general causes, the 'causae causarum.' I devote myself to such works as encroach not on the anti-social passions--in poetry, to elevate the imagination and set the affections in right tune by the beauty of the inanimate impregnated as with a living soul by the presence of life--in prose to |
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