it."

"Why don't you like it?"

I would not let Laura see how disappointed I was.

"One thing,--I don't like statuary in any attitude which, if continued,
would seem to be painful. I know artists admire what gives an impression
of motion; and I like to look at Mercury once; as you say, it gives an
idea of flight, of motion,--and it is beautiful for two minutes. But
then comes a sense of its being painful. So that statue of Hebe, or
Aurora,--which is it?--looks as if swiftly coming towards you; but only
for a minute. It does not satisfy you longer, because the unfitness
comes then, and the fatigue, and your imagination is harassed and
fretted. I think statuary should be in repose,--that is, if we want it
in the house as a constant object of sight. Eve at the fountain, or Echo
listening, or Sabrina fair sitting

"'Under the glassy, cool, translucent wave,
With twisted braids of lilies knitting
The loose train of her amber-dropping hair.'

"No matter, if she is represented employed. The motion may go so far."

I suppose I looked blank.

"Oh, don't think I am not glad to admire it. I thought you were thinking
of it for Aunt Allen's gift," continued Laura.

"And so I was. It costs just fifty dollars. But I think you are right