Whoever passed beneath this old arched gateway, thus saint-guarded,
in the year of our Lord's grace--, might have seen under its shadow,
sitting opposite to a stand of golden oranges, the little Agnes.

A very pretty picture was she, reader.--with such a face as you
sometimes see painted in those wayside shrines of sunny Italy, where the
lamp burns pale at evening, and gillyflower and cyclamen are renewed
with every morning.

She might have been fifteen or thereabouts, but was so small of stature
that she seemed yet a child. Her black hair was parted in a white
unbroken seam down to the high forehead, whose serious arch, like that
of a cathedral-door, spoke of thought and prayer. Beneath the shadows of
this brow lay brown, translucent eyes, into whose thoughtful depths one
might look as pilgrims gaze into the waters of some saintly well, cool
and pure down to the unblemished sand at the bottom. The small lips had
a gentle compression which indicated a repressed strength of feeling;
while the straight line of the nose, and the flexible, delicate nostril,
were perfect as in those sculptured fragments of the antique which the
soil of Italy so often gives forth to the day from the sepulchres of the
past. The habitual pose of the head and face had the shy uplooking grace
of a violet; and yet there was a grave tranquillity of expression, which
gave a peculiar degree of character to the whole figure.

At the moment at which we have called your attention, the fair head is
bent, the long eyelashes lie softly down on the pale, smooth cheek; for
the Ave Maria bell is sounding from the Cathedral of Sorrento, and the
child is busy with her beads.