"Don't do that!" said Jarvis, without pausing for the Professor's hasty
apology.

The play told the story of a woman whose God was Success. She sacrificed
everything to him. First her mother and father were offered up, that she
might have a career. Then her lover. She married a man she did not love,
that she might mount one step higher, and finally she sacrificed her
child to her devouring ambition. When she reached the goal she had
visioned from the first, she was no longer a human being, with powers of
enjoyment or suffering. She was, instead, a monster, incapable of
appreciating what she had won, and in despair she killed herself.

There were big scenes, some bold, telling strokes, in Jarvis's handling
of his theme. Again, it was utterly lacking in drama. The author stopped
the action and took to the pulpit.

At the end of the first act he stopped and looked at the faces of his
audience. The Professor was awake and deeply puzzled. This strange young
man was holding up to his view a perfectly strange anomaly which he
called a woman. The Professor had never dreamed of such a hybrid. He
couldn't grasp it. He gasped at Jarvis's audacity.

Bambi sat curled up in the end of a wicker couch, her feet drawn under
her, like a Chinese idol, every nerve attuned to attention. He noticed
how, without words, she seemed to emanate responsiveness and
understanding.

"Well?" he said.