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Modern India by William Eleroy Curtis
page 17 of 506 (03%)
of the Hindu gentleman and the priestly looking Parsees, and
the long, cool white robes of the common people, for several
of each class were gathered at the end of the pier to welcome
friends who arrived by the steamer, but the moment that he emerges
from the dock he enters a new and a strange world filled with
vivid colors and fantastic costumes. He sees his first "gherry,"
a queer-looking vehicle made of bamboo, painted in odd patterns
and bright tints, and drawn by a cow or a bullock that will trot
almost as fast as a horse. All vehicles, however, are now called
"gherrys" in India, no matter where they come from nor how they
are built--the chariot of the viceroy as well as the little donkey
cart of the native fruit peddler.

The extent of bare flesh visible--masculine and feminine--startles
you at first, and the scanty apparel worn by the common people
of both sexes. Working women walk by with their legs bare from
the thighs down, wearing nothing but a single garment wrapped in
graceful folds around their slender bodies. They look very small,
compared with the men, and the first question every stranger asks
is the reason. You are told that they are married in infancy,
that they begin to bear children by the time they are 12 and 14
years old, and consequently do not have time to grow; and perhaps
that is the correct explanation for the diminutive stature of the
women of India. There are exceptions. You see a few stalwart
amazons, but ninety per cent or more of the sex are under size.
Perhaps there is another reason, which does not apply to the upper
classes, and that is the manual labor the coolies women perform,
the loads they carry on their heads and the heavy lifting that
is required of them. If you approach a building in course of
erection you will find that the stone, brick, mortar and other
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