The Mirror of Literature, Amusement, and Instruction - Volume 14, No. 395, October 24, 1829 by Various
page 29 of 53 (54%)
page 29 of 53 (54%)
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The travellers arrived at Naples in May, and fortunately procured cool and healthy lodgings. Here they visited the English Ambassador, Sir William Hamilton, whose acquaintance they had made in London, and whose lady was not only a very agreeable person, but a charming performer on the harpsichord. She trembled on playing before Mozart. The concerts given by the Mozarts in Naples were very successful, and they were treated with great distinction; the carriages of the nobility, attended by footmen with flambeaux, fetched them from home and carried them back; the queen greeted them daily on the promenade, and they received invitations to the ball given by the French Ambassador on the marriage of the Dauphin. If Mozart had not been engaged to compose the carnival opera for Milan, he might have written that for Bologna, Rome, or Naples, as at these three cities offers were made to him, a proof of what his genius had effected in Italy. * * * * * The epoch at which Mozart's genius was ripe may be dated from his twentieth year; constant study and practice had given him ease in composition, and ideas came thicker with his early manhood--the fire, the melodiousness, the boldness of harmony, the inexhaustible invention which characterize his works, were at this time apparent; he began to think in a manner entirely independent, and to perform what he had promised as a regenerator of the musical art. The situation of his father as Kapell-meister, in Salzburg, indeed gave Mozart some opportunities of writing church music, but not such as he most coveted, the sacred musical services of the court being restricted to a given |
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