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Bartleby, the Scrivener - A Story of Wall-Street by Herman Melville
page 10 of 52 (19%)
window which originally had afforded a lateral view of certain grimy
back-yards and bricks, but which, owing to subsequent erections,
commanded at present no view at all, though it gave some light. Within
three feet of the panes was a wall, and the light came down from far
above, between two lofty buildings, as from a very small opening in a
dome. Still further to a satisfactory arrangement, I procured a high
green folding screen, which might entirely isolate Bartleby from my
sight, though not remove him from my voice. And thus, in a manner,
privacy and society were conjoined.

At first Bartleby did an extraordinary quantity of writing. As if long
famishing for something to copy, he seemed to gorge himself on my
documents. There was no pause for digestion. He ran a day and night
line, copying by sun-light and by candle-light. I should have been
quite delighted with his application, had he been cheerfully
industrious. But he wrote on silently, palely, mechanically.

It is, of course, an indispensable part of a scrivener's business to
verify the accuracy of his copy, word by word. Where there are two or
more scriveners in an office, they assist each other in this
examination, one reading from the copy, the other holding the original.
It is a very dull, wearisome, and lethargic affair. I can readily
imagine that to some sanguine temperaments it would be altogether
intolerable. For example, I cannot credit that the mettlesome poet
Byron would have contentedly sat down with Bartleby to examine a law
document of, say five hundred pages, closely written in a crimpy hand.

Now and then, in the haste of business, it had been my habit to assist
in comparing some brief document myself, calling Turkey or Nippers for
this purpose. One object I had in placing Bartleby so handy to me
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