Miles Wallingford - Sequel to "Afloat and Ashore" by James Fenimore Cooper
page 51 of 533 (09%)
page 51 of 533 (09%)
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true, on my going back to the house to question her in the matter, and
offering us the use of an old-fashioned one-horse chaise, that the only farm-labourer she employed was just then getting ready to go in, in quest of Kitty, I availed myself of the opportunity, took the printed advertisement of the sale to read as we went along, obtained our directions, and off Marble and I went in quest of the usurer. There would be sufficient time for all our purposes. It is true that the horse, like the house, its owner, the labourer, the chaise, and all we had yet seen about Willow Cove, as we had learned the place was called, was old; but he was the more safe and sure. The road led up the ascent by a ravine, through which it wound its way very prettily; the labourer walking by our side to point out the route, after we should reach the elevation of the country that stretched inland. The view from the height, as it might be termed in reference to the river, though it was merely on the level of the whole region in that portion of the State, was both extensive and pretty. Willow Grove, as Marble called his mother's place three or four times, while our horse was working his way up the ascent, looked more invitingly than ever, with its verdant declivities, rich orchards, neat cottage, all ensconced behind the sheltering cover of the river heights. Inland, we saw a hundred farms, groves without number, divers roads, a hamlet within a mile of us, an old-fashioned extinguisher-looking church-spire, and various houses of wood painted white, with here and there a piece of rustic antiquity in bricks, or stone, washed with lime; or some livelier paint; for the Dutch of New York had brought the habits of Holland with them, delighting in colours. This relief may be desirable in a part of the world where the eternal green of the meadows in a manner fatigues the eye; but certainly the grey of nature has no just competitor in the tints of the more |
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