Poetical Works of Johnson, Parnell, Gray, and Smollett - With Memoirs, Critical Dissertations, and Explanatory Notes by Thomas Gray;Thomas Parnell;Tobias George Smollett;Samuel Johnson
page 174 of 295 (58%)
page 174 of 295 (58%)
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Walpole at his own invitation, but told him frankly he never could be
on the same terms of friendship again. Left now to pursue his journey alone, he went to Venice, and thence came back through Padua and Milan to France. On his way between Turin and Lyons, he turned aside to see again the noble mountainous scenery surrounding the Grande Chartreuse in Dauphiné; and in the album kept by the fathers wrote his Alcaic Ode, testifying to his admiration of a scene where, he says, "every precipice and cliff was pregnant, with religion and poetry." Two months after his return to England, his father died, somewhat impoverished by improvidence. Gray, thinking himself too poor to study the law, sent his mother and a maiden sister to reside at Stoke, near Windsor, and retired to Peterhouse, Cambridge, where he resumed his classical and poetical pursuits. To West, who by this time was declining in health, he sent part of "Agrippina," a tragedy he had commenced. West objected to the length and prosiness of Agrippina's speeches. These were afterwards altered by Mason, in accordance with West's suggestions; but Gray was discouraged, and has left "Agrippina" a Torso. The subject was unpleasing. To have treated adequately the character of Nero, would have required more than the genius of Gray; and the language of the fragment is distinguished rather by rhetorical burnish than by poetical spirit and heat. We have not thought it necessary to reprint it, nor several besides of the fragmentary and inferior productions of this poet, which Mason, too, thought proper to omit. Gray now plunged into the _mare magnum_ of classical literature. With greater energy and exclusiveness than before, he read Thucydides, Theocritus, and Anacreon; he translated parts of Propertius, and he wrote a heroic epistle in Latin, after the manner of Ovid, and a Greek |
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