"Then do not pass this house without stopping a moment to admire it."

"And why?"

"There lived the famous tenor Satar, who sang the _contre-fa_ from his
chest. And they paid him for it!"

I told the worthy patriarch that I hoped he would be able to sing a
_contre-sol_ even better paid for; and I went up the hill to the right
of the Koura, so as to have a view of the whole town.

At the top of the hill, on a little open space where a reciter is
declaiming with vigorous gestures the verses of Saadi, the adorable
Persian poet, I abandon myself to the contemplation of the
Transcaucasian capital. What I am doing here, I propose to do again in
a fortnight at Pekin. But the pagodas and yamens of the Celestial
Empire can wait awhile, here is Tiflis before my eyes; walls of the
citadels, belfries of the temples belonging to the different religions,
a metropolitan church with its double cross, houses of Russian,
Persian, or Armenian construction; a few roofs, but many terraces; a
few ornamental frontages, but many balconies and verandas; then two
well-marked zones, the lower zone remaining Georgian, the higher zone,
more modern, traversed by a long boulevard planted with fine trees,
among which is seen the palace of Prince Bariatinsky, a capricious,
unexpected marvel of irregularity, which the horizon borders with its
grand frontier of mountains.

It is now five o'clock. I have no time to deliver myself in a
remunerative torrent of descriptive phrases. Let us hurry off to the
railway station.