enthusiastic father Eustace, in his "Monastery."

After inspecting this interesting edifice, we left its hallowed
precincts, and took the hilly path leading to a beautiful terrace, which
overlooks the vale; each end of which is decorated with two modern
temples, one in the Grecian and the other in the Roman style of
architecture. Here are some gaudy copies of the old masters, with some
originals, which adorn the centre and side compartments of the
ceiling--Guido's Aurora, (copy); Hero and Leander; Diana and Endymion;
Hercules and Omphale, &c,--the whole by the pencil of Bernini, an
Italian artist. From this terrace the view is enchanting; the distant
hills of barren Hambleton subsiding into the fruitful vale; and nearer,
fertile fields intersected with wood and mossy rocks; and immediately
beneath the eye, the pale and ivied ruin, mouldering over the dust of
heroes who fought at Cressy, and of noble pilgrims who died in the Holy
Land, and were conveyed to this far-famed sanctuary for interment--

"Which now lies naked to the injuries
Of stormy weather."

Not far from this Elysium is the seat of Lord Feversham, (late Charles
S. Duncombe, Esq.) the owner of the estate, called Duncombe Park, where
is a piece of fine sculpture, called the Dog of Alcibiades, said to be
the work of Myron, and ranked among the five dogs of antiquity. Here is
also the famous Discobolus, which is esteemed the first statue in
England. Among the splendid collection of paintings is a candle-light
scene (woman and child) by Rubens, which cost 1,500 guineas. The mansion
was designed by Sir J. Vanbrugh. Leaving this bewitching retreat, we
proceeded down the sides of the woody mount; and after some tedious
inquiries respecting our road through this wild region, we were directed