GIRLHOOD.


Fifteen years have passed away, and around the old stone house there
is outwardly no change. The moss still clings to the damp, dark wall,
just as it clung there long ago, while the swaying branches of the
forest trees still cast their shadows across the floor, or scream to
the autumn blast, just as they did in years gone by, when Hagar Warren
breathed that prayer, "Lead us not into temptation." Madam Conway,
stiff and straight and cold as ever, moves with the same measured
tread through her gloomy rooms, which are not as noiseless now as they
were wont to be, for girlhood--joyous, merry girlhood--has a home in
those dark rooms, and their silence is broken by the sound of other
feet, not moving stealthily and slow, as if following in a funeral
train, but dancing down the stairs, tripping through the halls,
skipping across the floor, and bounding over the grass, they go, never
tiring, never ceasing, till the birds and the sun have gone to rest.

And do what she may, the good lady cannot check the gleeful mirth, or
hush the clear ringing laughter of one at least of the fair maidens,
who, since last we looked upon them, have grown up to womanhood.
Wondrously beautiful is Maggie Miller now, with her bright sunny face,
her soft dark eyes and raven hair, so glossy and smooth that her
sister, the pale-faced, blue-eyed Theo, likens it to a piece of
shining satin. Now, as ever, the pet and darling of the household, she
moves among them like a ray of sunshine; and the servants, when they
hear her bird-like voice waking the echoes of the weird old place,
pause in their work to listen, blessing Miss Margaret for the joy and
gladness her presence has brought them.