English Literature: Modern - Home University Library of Modern Knowledge by G. H. Mair
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page 5 of 218 (02%)
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the Eastern Empire--the last relic of the continuous spirit of
Rome--fell before the Turks, used to be given as the date, and perhaps the word "Renaissance" itself--"a new birth"--is as much as can be accomplished shortly by way of definition. Michelet's resonant "discovery by mankind of himself and of the world" rather expresses what a man of the Renaissance himself must have thought it, than what we in this age can declare it to be. But both endeavours to date and to define are alike impossible. One cannot fix a term to day or night, and the theory of the Renaissance as a kind of tropical dawn--a sudden passage to light from darkness--is not to be considered. The Renaissance was, and was the result of, a numerous and various series of events which followed and accompanied one another from the fourteenth to the beginning of the sixteenth centuries. First and most immediate in its influence on art and literature and thought, was the rediscovery of the ancient literatures. In the Middle Ages knowledge of Greek and Latin literatures had withdrawn itself into monasteries, and there narrowed till of secular Latin writing scarcely any knowledge remained save of Vergil (because of his supposed Messianic prophecy) and Statius, and of Greek, except Aristotle, none at all. What had been lost in the Western Empire, however, subsisted in the East, and the continual advance of the Turk on the territories of the Emperors of Constantinople drove westward to the shelter of Italy and the Church, and to the patronage of the Medicis, a crowd of scholars who brought with them their manuscripts of Homer and the dramatists, of Thucydides and Herodotus, and most momentous perhaps for the age to come, of Plato and Demosthenes and of the New Testament in its original Greek. The quick and vivid intellect of Italy, which had been torpid in the decadence of mediaevalism and its mysticism and piety, seized with avidity the revelation of the classical world which the scholars and their manuscripts brought. Human life, which the mediaeval Church had taught them to regard but as a threshold |
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