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A Tale of One City: the New Birmingham - Papers Reprinted from the "Midland Counties Herald" by Thomas Anderton
page 29 of 134 (21%)
thing has stood him in fine stead--his eye-glass. When "Mr. Punch" first
took him in hand he could make little or nothing of him, but the
eye-glass saved the Fleet Street artists from failure. They found
nothing they could lay hold of at first, not even his nose. They saw a
man with a pleasant, good-looking, closely-shaven face, some dark hair
brushed back from his forehead, but there was nothing they could hit off
with success, and the only way they could secure identity was by the
eye-glass. "Mr. Punch" used at one time to represent Mr. Bright as
wearing an eye-glass, but I don't think he ever used one. Certainly I
never saw Mr. Bright with an eye-glass, and never saw Mr. Chamberlain
without one. Great and prominent men should have some characteristic
peculiarity that should be their own special personal brand, and if they
have it not, it must be made for them--as in the case of Lord Palmerston
and the wisp of straw that "Mr. Punch" always put in his mouth. Mr.
Chamberlain, however, has kindly obliged, and given caricaturists and
others something by which he can be unmistakably "featured."




V.

EXIT MR. CHAMBERLAIN.


In 1876 Mr. Chamberlain was elected a member of Parliament for
Birmingham, and his municipal career shortly came to an end. It may be
remembered that he made an unsuccessful attempt to represent Sheffield
some little time before he aspired to become a candidate for Birmingham.
He made a very plucky fight in the cutler constituency, and the
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