to their capital, at least two other large cities and many smaller
town-like settlements and villages. The rectangular houses were built in
a style still found in Chinese houses, except that their front did not
always face south as is now the general rule. The Shang buried their
kings in large, subterranean, cross-shaped tombs outside the city, and
many implements, animals and human sacrifices were buried together with
them. The custom of large burial mounds, which later became typical of
the Chou dynasty, did not yet exist.

The Shang had sculptures in stone, an art which later more or less
completely disappeared and which was resuscitated only in post-Christian
times under the influence of Indian Buddhism. Yet, Shang culture cannot
well be called a "megalithic" culture. Bronze implements and especially
bronze vessels were cast in the town. We even know the trade marks of
some famous bronze founders. The bronze weapons are still similar to
those from Siberia, and are often ornamented in the so-called "animal
style", which was used among all the nomad peoples between the Ordos
region and Siberia until the beginning of the Christian era. On the
other hand, the famous bronze vessels are more of southern type, and
reveal an advanced technique that has scarcely been excelled since.
There can be no doubt that the bronze vessels were used for religious
service and not for everyday life. For everyday use there were
earthenware vessels. Even in the middle of the first millennium B.C.,
bronze was exceedingly dear, as we know from the records of prices.
China has always suffered from scarcity of metal. For that reason metal
was accumulated as capital, entailing a further rise in prices; when
prices had reached a sufficient height, the stocks were thrown on the
market and prices fell again. Later, when there was a metal coinage,
this cycle of inflation and deflation became still clearer. The metal
coinage was of its full nominal value, so that it was possible to coin