in St. James's, the Green, and Hyde Parks, Kensington Gardens, and the
Regent's Park, as pestilential nuisances to all around them? Besides,
he states that _malaria_ is only generated in _hot weather_; so that
the palace, being intended as a _winter_ residence, the health of our
gracious sovereign will, we hope, not be endangered by his residence.
That there is much show of reason in this objection, cannot be
denied; at the same time it should be remembered, that in all great
undertakings the conflicting prejudices and caprices of private
interests generally work too prominent a part: hence, opinions should
be entertained with caution.

It is now time to speak of the _architectural_ character of the
palace. The main front represented in our engraving, forms three sides
of a quadrangle, thus II, the area being not far from equal, and
forming a clear space of about 250 feet in diameter. The central
entrance is a portico of two orders of architecture in height; the
lower is the Doric, copied from the temple of Theseus at Athens; the
upper is the Corinthian, resembling that style in the Pantheon at
Rome. This portico is so contrived, that upon the ground carriages can
drive through it; while above, there is an open and spacious gallery,
covered by a pediment on which statues are to be placed, and under
which is a long panel filled with figures in high relief. It is
understood that this entrance is to be exclusively appropriated for
the admission of his Majesty and the royal family. The above union of
two of the Greek orders is much censured: indeed a harmonious union of
any two of the Greek orders has never been an easy task. In the Doric
architecture of the ground story, the usual magnificence of this order
is wanting; the columns being merely surmounted by what is termed
"an architrave cornice," with the mutiles; while the frieze, with
its rich triglyphs and metopes is altogether omitted. The Corinthian