the Corinthian, the construction is altogether tolerably harmonious."
The outline is boldly broken into massive forms, which are, as Mr.
Loudon observes, "simple and easy to be comprehended, and yet
sufficiently enriched to mark the building as an abode destined for
splendid enjoyment." In this front, also, level with the middle or
principal tier of windows (those of the suite of state rooms) runs a
stone balcony or balustrade, supported by corbels of a mixed
character,--Gothic and Italian masques of chimera blended with wings
and scrolls of foliage of singular beauty. On this side, too, is an
extensive terrace, descending into the ground, with a rusticated
front; and a balustrade with pedestals supporting vases of antique and
classical models; and at each end an open Ionic temple, intended to be
used as a summer conservatory.

The _north_ front facing Piccadilly is of the same style and character
with the garden front, but of lighter proportions. Here are the king's
private apartments, from choice, comparatively small and compact, and
the cabinet picture-gallery. Here, also, the terrace is continued, and
a similar Ionic temple conservatory placed at the other extremity.
Thus, his majesty's windows look out between these conservatories,
upon the flower-garden spread below.

We are bound to acknowledge our partial, if not entire concurrence,
in the general criticism on the central front, and of the two wings.
The first impression is far from that produced by unity, grandeur, or
elegance; there is a fantastical assemblage of turrets, attics, and
chimneys, and a poverty or disproportion, especially in "the temple-like
forms" which complete the ends towards the park. The dome, too, has been
sarcastically compared with a "Brobdignagian egg." It strictly belongs
to the back part of the palace, and had it been screened from the front,