He sought to generalize the conversation, diluting this accumulated
emotion by spreading it.

"The sea is His and He made it," he suggested vaguely, hoping Sanderson
would take the hint, "and with the trees it is the same...."

"The whole gigantic vegetable kingdom, yes," the artist took him up,
"all at the service of man, for food, for shelter and for a thousand
purposes of his daily life. Is it not striking what a lot of the globe
they cover ... exquisitely organized life, yet stationary, always ready
to our had when we want them, never running away? But the taking them,
for all that, not so easy. One man shrinks from picking flowers, another
from cutting down trees. And, it's curious that most of the forest tales
and legends are dark, mysterious, and somewhat ill-omened. The
forest-beings are rarely gay and harmless. The forest life was felt as
terrible. Tree-worship still survives to-day. Wood-cutters... those who
take the life of trees... you see a race of haunted men...."

He stopped abruptly, a singular catch in his voice. Bittacy felt
something even before the sentences were over. His wife, he knew, felt
it still more strongly. For it was in the middle of the heavy silence
following upon these last remarks, that Mrs. Bittacy, rising with a
violent abruptness from her chair, drew the attention of the others to
something moving towards them across the lawn. It came silently. In
outline it was large and curiously spread. It rose high, too, for the
sky above the shrubberies, still pale gold from the sunset, was dimmed
by its passage. She declared afterwards that it move in "looping
circles," but what she perhaps meant to convey was "spirals."

She screamed faintly. "It's come at last! And it's you that brought it!"