Lectures on Art by Washington Allston
page 26 of 189 (13%)
page 26 of 189 (13%)
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pleasure to any thing but its form and plumage? Concerning natural
objects, and those inferior animals which are not under the influence of domestic associations, there is little or no difference among men: if they differ, it is only in degree, according to their sensibility. Men do not dispute about a rose. And why? Because there is nothing beside the physical to interfere with the impression it was predetermined to make; and the idea of beauty is realized instantly. So, also, with respect to other objects of an opposite character; they can speak without deliberating, and call them plain, homely, ugly, and so on, thus instinctively expressing even their degree of remoteness from the condition of beauty. Who ever called a pelican beautiful, or even many animals endeared to us by their valuable qualities,--such as the intelligent and docile elephant, or the affectionate orang-outang, or the faithful mastiff? Nay, we may run through a long list of most useful and amiable creatures, that could not, under any circumstances, give birth to an emotion corresponding to that which we ascribe to the beautiful. But there is scarcely a subject on which mankind are wider at variance, than on the beauty of their own species,--some preferring this, and others that, particular conformation; which can only be accounted for on the supposition of some predominant expression, either moral, intellectual, or sensual, with which they are in sympathy, or else the reverse. While some will task their memory, and resort to the schools, for their supposed infallible _rules_;--forgetting, meanwhile, that ultimate tribunal to which their canon must itself appeal, the ever-living principle which first evolved its truth, and which now, as then, is not to be reasoned about, but _felt_. It need not be added how fruitful of blunders is this mechanical ground. |
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