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Lectures on Art by Washington Allston
page 45 of 189 (23%)
character of Evil, which, as before hinted, is sufficiently apparent
to them when referring to others; in such cases the obliquitous choice
only shows, that, with the full force of right perception, their
interposing passions or interests have also the power of giving their
own color to every object having the least relation to themselves.

Admitting this personal modification, we may then safely repeat our
position,--that to hate Good or to love Evil, solely for their own
sakes, is only possible with the irredeemably wicked, in other words,
with devils.

We now proceed to the latter clause of our general proposition. And here
it may be asked, on what ground we assume one intuitive universal
Principle as the true source of all those emotions which have just been
discussed. To this we reply, On the ground of their common agreement. As
we shall here use the words _effect_ and _emotion_ as convertible terms,
we wish it to be understood, that, when we apply the epithet _common_ or
_same_ to _effect_, we do so only in relation to _kind_, and for the
sake of brevity, instead of saying the same _class_ of effects; implying
also in the word _kind_ the existence of many degrees, but no other
difference. For instance, if a beautiful flower and a noble act shall be
found to excite a kindred emotion, however slight from the one or deep
from the other, they come in effect under the same category. And this we
are forced to admit, however heterogeneous, since a common ground is
necessarily predicated of a common result. How else, for instance, can
we account for a scene in nature, a bird, an animal, a human form,
affecting us each in a similar way? There is certainly no similitude in
the objects that compose a landscape, and the form of an animal and man;
they have no resemblance either in shape, or texture, or color, in
roughness, smoothness, or any other known quality; while their several
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