Lectures on Art by Washington Allston
page 48 of 189 (25%)
page 48 of 189 (25%)
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not solve; and never can, because it refers to a living Power that is
above the understanding. In the human figure, for instance, we can give no reason why eight heads to the stature please us better than six, or why three or twelve heads seem to us monstrous. If we say, in the latter case, _because_ the head of the one is too small and of the other too large, we give no _reason_; we only state the _fact_ of their disagreeable effect on us. And, if we make the proportion of eight heads our rule, it is because of the fact of its being more pleasing to us than any other; and, from the same feeling, we prefer those statures which approach it the nearest. Suppose we analyze a certain combination of sounds and colors, so as to ascertain the exact relative quantities of the one and the collocation of the other, and then compare them. What possible resemblance can the understanding perceive between these sounds and colors? And yet a something within us responds to both in a similar emotion. And so with a thousand things, nay, with myriads of objects that have no other affinity but with that mysterious harmony which began with our being, which slept with our infancy, and which their presence only seems to have _awakened_. If we cannot go back to our own childhood, we may see its illustration in those about us who are now emerging into that unsophisticated state. Look at them in the fields, among the birds and flowers; their happy faces speak the harmony within them: the divine instrument, which these have touched, gives them a joy which, perhaps, only childhood in its first fresh consciousness can know. Yet what do they understand of musical quantities, or of the theory of colors? And so with respect to Truth and Goodness; whose preƫxisting Ideas, being in the living constituents of an immortal spirit, need but the slightest breath of some outward condition of the true and good,--a |
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