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The Churches of Coventry - A Short History of the City & Its Medieval Remains by Frederick W. Woodhouse
page 53 of 107 (49%)
Death kindly came, all wants supplied
By giving rest--which life deny'd.

The other brass, of 1609, has a portrait of Ann Sewell in Jacobean
costume, kneeling, with an epitaph in which she is described as "a
worthy stirrer up of others to all holy virtues."

A doorway leads to a priest's chamber over the porch, sometimes
incorrectly spoken of as the Cappers' Chapel. It is still used for the
annual meeting of the Company, but is inaccessible to the public.

The next chapel eastwards is St. Thomas', belonging until 1629 to the
Cappers' and Feltmakers' Company. In 1531 they were associated in its
maintenance with the Woollen Cardmakers who had founded it in 1467 and
had after declined in importance. Leland, as we have seen records also
the decay of the Cappers' industry. A large eighteenth-century
monument conceals the original doorway from the porch. The eastern
part of the south aisle as far as the screen formed another chapel as
the dilapidated piscina in the south wall shows. The organ is now
placed in the first bay of the chancel aisle, the whole aisle having
once formed the Mercers' Chapel.

[Illustration: THE SWILLINGTON TOMB.]

Where the altar once stood are now steps descending to the sacristies.
On the right of the window is the statue of St. Michael brought hither
from the tower. The finely carved corbel on which it stands was
discovered among rubbish in the recess below. Three altar tombs now
stand against the south wall. The eastern has the recumbent effigies
of Elizabeth Swillington and her two husbands. The inscription
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