The south transept, containing the Corpus Christi and Cellet's
chantries, has lost its original character completely. The piscina,
high up on the south wall, shows that the floor level was some 9 feet
above that of the church. The reason for this has been already
explained. The organ chamber is quite modern. The best authorities
place the chapel of the Butchers' Gild in the south aisle of the
chancel, but do not say to whom the eastern chapel in the nave aisle
belonged. It is known that there was a Jesus Chapel, and, in view of
the proximity of Jesus Hall, it is believed by some that this was its
position.

The present clergy vestry is a fine room, having an excellent dark oak
roof with heavy beams and well carved bosses at the intersections of
the timbers. The Royal Arms over the fireplace were painted there in
1632. Although usual, the placing of the king's arms in churches was
not compulsory until the Restoration; few earlier now remain, and this
placing of them in the vestry rather than the body of the church is
suggestive of a compromise between opposing factions. A portrait of
Walter Farquhar Hook, Vicar from 1828-37 and afterwards Dean of
Chichester is hung here.

It seems probable that this was a chapel, perhaps that of the Holy
Trinity, to whom an altar was dedicated.

The history, as traced in the church accounts, of the various organs
used in the church gives some idea of the fluctuations of opinion as
to the propriety of their use. In 1526 John Howe and John Climmowe,
citizens and organ makers of London, contracted to provide, for _£_30,
"a peir of Organs wt vij stopps, ov'r and besides the two Towers of