plane surface and filled the concavities with plaster." It bore at one
time the golden diadem of Canute; behind it stood the splendid silver
shrine of St. Swithun, decorated with "the cross of emeralds, the
cross called Hierusalem" and who shall say what other gifts of piety
and devotion, all to become the spoils of that arch-iconoclast--Thomas
Cromwell.

Bishop Fox's chantry was built during his lifetime. It is on the south
side of the reredos, Gardiner's being on the north. Behind the reredos
are the chantries of Bishop Waynflete and of the great Cardinal
Beaufort. The latter claims attention for its graceful beauty and the
peculiarities of character shown in the face of the effigy within. He
is termed by Dean Kitchin, who draws attention to the "money-loving"
nose, the "Rothschild of his day." Beaufort was the representative of
England among the judges that condemned St. Joan of Arc to the flames
and, at the time of writing, a memorial to the Maid is in course of
preparation, to be set up near the Cardinal's tomb; an appropriate act
of contrition and reparation. Beyond the space at the back of the
reredos is the Early English Lady Chapel with an interesting series of
wall paintings depicting the story of our Lady. Here is the chair used
by Mary I at her wedding. Although it is unusual to praise anything
modern, the beautiful stained glass in this part of the cathedral,
forming a complete design, must be admired by the most confirmed
"antiquary."

It is in the transepts that the earlier architecture can be seen at
its best. This is nearly all pure Norman work, as is that of the
crypt. It has been suggested that the latter antedates the Conquest so
far as the base of the walls is concerned. Here is an ancient well
which may have served the defenders during the Danish siege.