Notes on Life and Letters by Joseph Conrad
page 85 of 245 (34%)
page 85 of 245 (34%)
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Considered historically, Russia's influence in Europe seems the most baseless thing in the world; a sort of convention invented by diplomatists for some dark purpose of their own, one would suspect, if the lack of grasp upon the realities of any given situation were not the main characteristic of the management of international relations. A glance back at the last hundred years shows the invariable, one may say the logical, powerlessness of Russia. As a military power it has never achieved by itself a single great thing. It has been indeed able to repel an ill-considered invasion, but only by having recourse to the extreme methods of desperation. In its attacks upon its specially selected victim this giant always struck as if with a withered right hand. All the campaigns against Turkey prove this, from Potemkin's time to the last Eastern war in 1878, entered upon with every advantage of a well-nursed prestige and a carefully fostered fanaticism. Even the half- armed were always too much for the might of Russia, or, rather, of the Tsardom. It was victorious only against the practically disarmed, as, in regard to its ideal of territorial expansion, a glance at a map will prove sufficiently. As an ally, Russia has been always unprofitable, taking her share in the defeats rather than in the victories of her friends, but always pushing her own claims with the arrogance of an arbiter of military success. She has been unable to help to any purpose a single principle to hold its own, not even the principle of authority and legitimism which Nicholas the First had declared so haughtily to rest under his special protection; just as Nicholas the Second has tried to make the maintenance of peace on earth his own exclusive affair. And the first Nicholas was a good Russian; he held the belief in the sacredness of his realm with such an intensity of faith that he could not survive the first shock of doubt. Rightly envisaged, the Crimean war was the end |
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