He was in waiting to receive me. We found him in his library--which, by
the way, is simply the most delightful apartment that I ever smoked a
cigar in--a room arranged for a lifetime. At one end stands a great
fireplace, with a florid, fantastic mantelpiece in carved white
marble--an importation, of course, and, as one may say, an
interpolation; the groundwork of the house, the "fixtures," being
throughout plain, solid and domestic. Over the mantel-shelf is a large
landscape, a fine Gainsborough, full of the complicated harmonies of an
English summer. Beneath it stands a row of bronzes of the Renaissance
and potteries of the Orient. Facing the door, as you enter, is an
immense window set in a recess, with cushioned seats and large clear
panes, stationed as it were at the very apex of the lake (which forms an
almost perfect oval) and commanding a view of its whole extent. At the
other end, opposite the fireplace, the wall is studded, from floor to
ceiling, with choice foreign paintings, placed in relief against the
orthodox crimson screen. Elsewhere the walls are covered with books,
arranged neither in formal regularity nor quite helter-skelter, but in a
sort of genial incongruity, which tells that sooner or later each volume
feels sure of leaving the ranks and returning into different company.
Mr. Sloane makes use of his books. His two passions, according to
Theodore, are reading and talking; but to talk he must have a book in
his hand. The charm of the room lies in the absence of certain pedantic
tones--the browns, blacks and grays--which distinguish most libraries.
The apartment is of the feminine gender. There are half a dozen light
colors scattered about--pink in the carpet, tender blue in the curtains,
yellow in the chairs. The result is a general look of brightness and
lightness; it expresses even a certain cynicism. You perceive the place
to be the home, not of a man of learning, but of a man of fancy.