The Mirror of Literature, Amusement, and Instruction - Volume 14, No. 382, July 25, 1829 by Various
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page 3 of 53 (05%)
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Lord Lyttleton, not on, but near to, the site of the ancient family
mansion, a structure of the sixteenth century. Admission may be obtained on application to the housekeeper; and for paintings, carving, and gilding, Hagley is one of the richest show-houses in the kingdom.[2] [2] _Show-houses_ is a very appropriate term for such of the mansions of our nobility and gentry as are open to public inspection. Hagley is extremely rich in treasures of art. A mere catalogue of them would occupy the whole of our sheet; but we must notice two curiously carved mahogany tables, which cost £200.; four exquisitely carved busts of Shakspeare, Milton, Spenser, and Dryden, by Scheimaker, and bequeathed to George, Lord Lyttleton, by Pope; the portrait of Pope and his dog, Bounce; a fine Madonna, by Rubens; several pictures by Vandyke, Sir Peter Lely, Le Brun, &c. &c. the Gobelin tapestry of the drawing room; the ceiling painted by Cipriani; and the family pictures, among which is Judge Lyttleton, copied from the painted glass in the Middle Temple Hall. Much as the visiter will admire the refined taste displayed within the mansion, his admiration will be heightened by the classic taste in which the grounds are disposed. A short distance from the house, embosomed in trees, stands the church, built in the time of Henry III.; with a sublime Gothic arch, richly painted windows, and a ceiling fretted with the heraldic fires of the Lyttleton family, whose tombs are placed on all sides; among them, the resting-place of the gay poet is distinguished by the following plain inscription:-- This unadorned stone was placed here By the particular desire and express |
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