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The Life and Letters of Lewis Carroll (Rev. C. L. Dodgson) by Stuart Dodgson Collingwood
page 272 of 423 (64%)
These eyes were pivoted to a board, fastened just behind the
eye-openings in the face. To the eyeballs were sewed strong
pieces of tape, which passed through screw-eyes on the edges
of the board, and so down to a row of levers which were
hinged in the lower part of the figure. One lever raised
both eyes upward, another moved them both to the left, and
so on. The eyebrows were of worsted and indiarubber knitted
together. They were fastened at the ends, and raised and
lowered by fine white threads passing through small holes in
the face, and also operated by levers. The arms projected
into the interior of the machine, and the gestures were made
by moving the short ends inside. The right hand contained a
spring clothes-pin, by which he was enabled to hold the
note-book in which Alice set down the celebrated problem--

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The movement of the mouth, in talking, was produced by a
long tape, running down to a pedal, which was controlled by
the foot of the performer. And the smile consisted of long
strips of red tape, which were drawn out through slits at
the corners of the mouth by means of threads which passed
through holes in the sides of the head. The performer--who
was always your humble servant--stood on a box behind the
wall, his head just reaching the top of the egg, which was
open all the way up the back. At the lower end of the
figure, convenient to the hands of the performer, was the
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